smoking fish band

smoking fish band
Top 20 country songs?

Hey everyone! I need help finding the top 20 country songs.
I don’t want just any top 20. I was hoping i could get lists of your favorite songs as opposed to the radio’s top 20… I want them to be related to relaxing, drinking, smoking or fishing. A perfect example is the Zac Brown Band’s song “toes.”

I got my toes in the water, a** in the sand,
not a worry in the world, a cold beer in my hand…
life is good today..=)

thnx!
im lookin for more… relaxing.. out on the ocean doin nothing.. on an island drinkin… not so lovey dovey.. less mushy more fun! “good time” is a good example as well.. and so is “why dont we just dance”

1) Margaritaville- Jimmy Buffett (If you want drinkin at the beach, doin nothin, then look no further!)
2) No shoes, No shirt, No problems- Kenny Chesney (The title speaks for itself!)
3) Kokomo- Beach Boys (Not country, but one of the greatest chill/beach songs of all time)
4) Some Beach- Blake Shelton (You can almost smell the salty evening air when he sings about it)
5) Old Blue Chair- Kenny Chesney (Very mellow as he sings about his place in cinnamon bay)
6) When the sun goes down- Kenny Chesney (“Toes in the sand, couldnt get much hotter”!)
7) Six Pack Summer- Phil Vassar (“The partys on from dawn till dawn, 24-7″)
Summertime- Kenny Chesney (The perfect song to explain summertime!)
9) Sunshine and Summertime- Faith Hill (In some ways, the female version of Kennys summertime)
10) It’s 5 O’clock somewhare- Alan Jackson and Jimmy Buffett
11) Beer in Mexico- Kenny Chesney (“Sit right here and have another beer in Mexico”!)
12) Summer Nights- Rascal Flatts
13) Stays in Mexico- Toby Keith (Just got back, and aint that the truth!)
14) Seashores of old Mexico- George Strait (Not about summer, but I like it)
15) Redneck Yacht Club- Craig Morgan (Song about Party Cove!!!)

smoking fish band

A Peaceful Revolt

Throughout the course of history many revolutions explode from civil unrest. Impoverished citizens of corrupt nations protested diplomatically through either strike or elected representatives, who spoke for the people. Eventually the haughty hierarchy would plug their ears and ignore the cries of the poor plebeians. Silence never solved issues such as hunger, shelter and bankruptcy so the meager masses chanted louder and louder with each passing day. Their woes and miseries still fell on the deaf diamond encrusted ears of royalty. Changes were not made and the civilians grew hungry. Hunger lead to starvation, starvation lead to insanity and insanity lead to violence. Once the poor snapped from depravation of food, they turned on their negligent government and stormed the castle. Much violence occurred and often the leaders of the crumbling nation were executed for their inability to satisfy the population. Shortly after the bloody coup, new leaders were elected by the masses who promised to bring a never-ending wave of prosperity and good fortune to the once tumultuous land. The aforementioned type of revolution would normally take place in Europe during a chaotic era of time and although most rebellions start in havoc and end in mayhem, many transformations erupt out of silence.

The 1950s was quite the static decade in America. Cherry-red dress wearing women baked apple pies and married nine-to-five gray suited bankers. The couples produced offspring with names such as Timmy and Mandy. Mom, Pop, Timmy and Mandy lived in a suburban house with two front windows, a white picket fence, a dog named Rover and a tire swing in the front yard. On a typical day Pop would go to work, Mom would maintain the house and Timmy and Mandy would go to school to study reading, writing and arithmetic. The typical post-nuclear family of Mom, Pop, Timmy and Mandy were usually religious, orderly and financially sound, definitely not the types who would instigate riots. But something caused a revolution to occur at the end of the 1950s: a revolution that sparked out of calm, stability and normality, not homelessness, hunger and poverty. This particular revolution started because of the boredom and the conformity of the 1950s. Once 1967 arrived, the revolution peaked, Mandy let her hair down, burned her bra and sewed her own hemp necklaces while Timmy squeezed into his bell bottomed jeans, hopped in his Volkswagen bus, picked up his buddies and headed out to the Haight-Ashbury district of San Francisco, California. It was there, in that district, during the Summer of Love, that the social norms of Americana were shattered and grass smoking, tie-dye wearing hippies flipped American culture of the 1950s onto its head. The Haight-Ashbury district acted as a catalyst for a new wave of thought in popular culture and America’s youth single-handedly took responsibility for its psychedelic creation. Through music, drugs and new radical thought, the hippies in the Haight-Ashbury district during the Summer of Love managed to change the culture of America.

The Haight district seemed to be the perfect place for music to spawn a scene. In fact, most of the bands that defined the generation of hippies and beatniks rose in popularity during the Summer of Love.  In the summer of 1966, the Grateful Dead, a popular psychedelic jam band, moved into the Haight-Ashbury district . The Haight area provided cheap dwelling areas for students in the San Francisco area and struggling North Beach beatnik artists . Shortly after the Grateful Dead began playing for youthful, hip audiences, bands such as Jefferson Airplane and the Charlatans settled in the Haight district. The impact that the three bands had on the style, culture and attitude of the youth in the district was astronomical. Due to the cheap housing, hippies, artists, beatniks and adventure seekers from all walks of life could easily travel to the Haight-Ashbury district to witness such great performances.  Spencer Dryden, drummer for Jefferson Airplane recalls that, “…the Haight was heaven for anybody with long hair” . Hippies and misfits were not only accepted, but welcomed by the free flowing jams that coursed through the Californian air. The members of the Grateful Dead and Jefferson Airplane infected the audience with their colorful tie-dyed and psychedelic rainbow fashion. Because of these bands, the flower children of the Summer of Love had a non-conformist uniform that boasted of frills, leather, jeans, vest, and flowing dresses all in multiple colors. The fans not only replicated the style of their musical idols but their ideals as well. Writer Barney Hoskyns states that the culture in the Haight became “zany” and “anarchic” after the sound waves produced by the aforementioned bands hammered the malleable eardrums of the hippies who were already imitating the clothing trends of their onstage heroes . Once the music booming from the Haight caught the ears of listeners around the country, other bands embarked to the west coast to lend their sounds to the groovy times. Jimi Hendrix, Bob Dylan, Country Joe and the Fish, Frank Zappa and the Beatles all journeyed to the district to stoke the fires of the mind bending musical inferno . Soon, the sights, sounds and style of the Haight captivated the youth of the entire nation and the local musical artists perpetuated all of the characteristics mentioned above.  Musical artists in the Haight-Ashbury district directly affected the culture and the ideals of the 1960s but the new, radical ways of thinking solidified the generation’s views for eternity.

The groundbreaking thoughts and ideals birthed in the revolution of Summer of Love destructively shattered the straight and square attitude of the 1950s. Conformity, respect, family values were shoved into the back of most of the minds of America’s youth while free love, creativity, mischief, sex, peace and antiauthority roamed throughout the rest of their brains with priority. Most of this opposition to authority stemmed from the conflict in Vietnam but some viewed the war as necessary because it “brought us (the hippies) together” . Most liberals flocked to the area because it welcomed all those who opposed the war so naturally they shared the same ideals which were contrary to the mainstream. Since most of America was still stuck in a very conservatory nature, the dwellers in the Haight opposed consumerism and typical sexual traditions and “experimented in chaos” . This form of rebellion consisted of sex with multiple partners and communes that were often less than sanitary where many hippies would share food and supplies and most importantly ideas. Some of the ideas and rituals created in the Haight district were not always positive and full of peace. For example, the infamous cult leader and mass murderer, Charles Manson, traveled to the Haight district during the summer of ’67 where he apparently preached his views of peace and love . Years later, Manson and his cult followers brutally slaughtered Sharon Tate, an actress, and many of her friends. Along with the ideas of peace came many of mischief and destruction for those who wished to abuse the newfound freedoms that the Haight offered. One policeman who patrolled the area recalled a time when he was harassed by several hippies who offered him necklaces and bread then proceeded to call him a pig while forcefully heckling him away from his designated patrol area . This behavior was not uncommon for those who took positive aspects of the Haight and filled them with their own agenda, whether it was their hatred for police or just distaste for authority in general. Radical ideas sprouted from the planted roots of the Haight music but the main binding element of the Summer of Love was drugs, which lead to both the zenith and the nadir of the psychedelic experience.

The Summer of Love in the Haight district managed to flourish with the extreme amounts of drug use. Marijuana and LSD rose as the main mind bending substances of choice for the hippies due to their easy availability and their brain altering qualities. Also, both drugs were new on the scene, especially LSD. Writers such as Ken Keasey and Allen Ginsberg promoted the use of these drugs, claiming that it would expand the minds of the youth . The status and influence that these authors had on the flower children surely inspired many of the traveling youth to experiment with these illicit substances. Editor for the San Francisco Oracle, Albert Cohen, explained the allure of hallucinogenics when he theorized that, “LSD was the catalyst for experiencing a deeper sense of our humanity than most of us had been taught or expected to exist” . The type of transcendental experience that hippies would experience on LSD seemed correspond almost directly with the ideals of the Summer of Love, which were peace, love and cheer. Naturally since drugs put such a strain on the brain and body, many hippies grew strung out and tired. The hippie turned into a lifeless drone once heroin was introduced to the scene at the end of the Summer of Love. Many free drug rehabilitation clinics opened in the Haight district to treat the newly classified “junkie” . The free love and positive vibes came to a screeching halt once heroin and other forms of hard drugs ruined the happiness that the music and thinking created. Officially the end of the Summer of Love occurred when popular folk singer Janis Joplin died towards the end of 1967 . The revolutionary music, new ideas and mind-expanding drugs that created the magic of the Haight-Ashbury district soon fizzled but thankfully a significant impact was made on America.

The conformity and the strictness of the 1950s was shattered by the wild and rambunctious times found in the Summer of Love. Now, the Haight-Ashbury district is accepting of all types of people and still boasts about its status as a place of former revolution even though the insanity has since faded.  Many different things rose from the Summer of Love. The term “hippie” is now widely used, tie-dye is a new fashion, bands such as the Grateful Dead and Jefferson Airplane are defined as classic rock, the use of drugs can be justified positively and many new arrays of thought helped build a new type of American culture.

Barney Hoskyns, “Happy 30th birthday to the coolest place on the planet; In 1967, Haight-Ashbury as the definitive hippietopia. Thirty years later, the spirit lives on, says Barney Hoskyns”, The Independent 1 (1997)
Hoskyns, “Happy 30th birthday to the coolest place on the planet; In 1967, Haight-Ashbury as the definitive hippietopia. Thirty years later, the spirit lives on, says Barney Hoskyns”, 1
Hoskyns,”Happy 30th birthday to the coolest place on the planet; In 1967, Haight-Ashbury as the definitive hippietopia. Thirty years later, the spirit lives on, says Barney Hoskyns”, 2
Hoskyns, “Happy 30th birthday to the coolest place on the planet; In 1967, Haight-Ashbury as the definitive hippietopia. Thirty years later, the spirit lives on, says Barney Hoskyns”, 1
Joe Budd, “Summer of Love”, The Advertiser 1 (2003)
Herbert Gold, “Days of Magic and Disaster”, New York Times 1 (2003)
Hoskyns, “Happy 30th birthday to the coolest place on the planet; In 1967, Haight-Ashbury as the definitive hippietopia. Thirty years later, the spirit lives on, says Barney Hoskyns”, 2
Hoskyns, “Happy 30th birthday to the coolest place on the planet; In 1967, Haight-Ashbury as the definitive hippietopia. Thirty years later, the spirit lives on, says Barney Hoskyns”, 2
L.H. Whittemore, “COP!”, (Holt, Rineheart and Winston, 1969), 226-229.
Budd, “Summer of Love”, 2
Budd, “Summer of Love”, 2
Charles Leerhsen with Sandra Gary, “A Witness to the Times”, Newsweek 1 (1984)
Budd, “Summer of Love”, 3

About the Author

This article has been provided by Specialty Answering Service. Specialty is available as an New York answering service and Florida answering service provider. We answer for each client 24 hours a day and follow their instructions to handle each inbound or outbound communication perfectly.

What band performs the song “Let’s Go Smoke Some Pot”?

Many different band names keeps popping up when searching for the song on FrostWire. Anyone know for sure which band it is? The bands that mostly comes up for me is NOFX, Reel Big Fish and Pennywise.
I finally found out for sure. It’s called “(Let’s Go) Smoke Some Pot” by Dash Rip Rock.
Thanks happyjar!

I believe the song is called The Pot Song and it’s by The Dead Milkmen.

OK, wrong song name but it is the Milkmen.

Never mind, Happyjar is 100% correct.

Weedstock 1999

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